Anima Tribe


Angela, 2024
Acrylic on fabric on canvas, 26x16 in.


Anima Ona, 2024
Acrylic on fabric on canvas, 20x12 in.


Ona Heart, 2024
Acrylic on fabric on canvas, 20x12 in.


La gamine, 2022
Acrylic on fabric on canvas, 71x25 in.


Sisterhood, 2022
Acrylic on fabric, 110x44 in.


La petite, 2022
Acrylic on fabric on canvas, 44x44 in.


Angèle, 2022
Acrylic on fabric, 65x44 in.



Ronce, 2020
Acrylic on fabric and fiber 


Vestige, 2020
Acrylic on fabric, fiber, and natural elements found in Pasadena 


Chevelure, 2020
Acrylic on fabric, fiber, and natural elements found in LA Arboretum 
(Thanks to Jim Henrich)


Anima Duo, 2020
Acrylic on fabric, fiber, and natural elements found in LA Arboretum 
(Thanks to Jim Henrich)
This sculpture is part of the TELEPHONE Project:





Amina Flames, 2020
Installation involving 21 sculptures displayed outside of my studio to support the Black Lives Matter Movement in June 2020  
Acrylic on fabric, fiber, and natural elements found in LA Arboretum 
(Thanks to Jim Henrich)
Variable size
 
 
 
Mixed & United. 2020
Interactive Mural as part of The Night of Ideas: Being Alive
At the Natural History Museum of Los Angeles County, January 2020
Tempera on paper,
Variable size
The project was a collective, interactive, and outgoing art installation, inviting all the visitors to participate in creating a mixed and united mural of prints that involved their own prints besides paw prints, leaves, tree bark, and stone prints. Being alive together to celebrate our coexistence with nature.



Palma [in motion]
Installation & Shared Movement, Art Residency in Italy, August 2019
Residency Ad Ognuno la Sua P'Arte 6 in Villatalla organized by Tadlachance Art Association
The project was a collective, interactive, and outgoing art installation, inviting all the visitors to participate to share movements and to create a piece that involve their own prints besides natural elements. All the pieces were suspended on the beautiful tree at the center of the village.

 


 
Spindles 100: Hers, 2017 - 2018
Installation involving 100 textile sculptures (spindles 17x3x3 in. each)
Variable size
 
The installation is a collective artwork in which 50 women were invited to put their own hand prints on two white textile sculptures using red paint.emma1Jacquie Inspired by the shapes of tree seed pods (like the Kapok), chrysalises, distaffs, and spindles I have created a textile sculpture in a contemporary shape. Distaff and spindle are old instruments used for the spinning of natural fibers. They symbolize exclusively feminine work and are a symbol of life and time. The motif of handprints has been present in my work for several years, as both a subject and as a tool for painting. Embracing the uniqueness of each individual, handprints are both individual and universal symbols for humanity and demonstrate memories of touch and our collective unconscious.


Spindles 100: Hers at the Huntington Garden, April 2018 


Spindles 100: Hers at the LA Arboretum, July 2018


















Offering at the Huntington Garden, April 2018
Natural fibers (from the Huntington White Floss Silk tree) and acrylic on fabric
 

Temple of Love at the Huntington Garden, April 2018
Rose petals and tree rubbing, natural rose color, and pencil on fabric



Red on Red Spindle, 2017
Acrylic on fabric, 17x3x3 in.







































© Copyright 2017 Valerie Daval